When Inspiration Surfaces
I was a little stuck. I needed to carve another bible box and I needed ideas and inspiration for the carvings that make these boxes so unique. With my previous attempt at one of these boxes I took the front Fleur De Lis pattern directly from Peter Follansbee's article on carving and building a bible box. I am very happy with the way that one turned out but this time around I didn't want to copy from as much as be inspired by.
In the end I didn't completely pull this off, but I'm happy with the results at any rate.
I wanted to show the pieces and carvings I took inspiration from and share the journey.
It really began with seeing this joined chest in the pages of the book "American Furniture: Understanding Styles, Construction, and Quality" by John T Kirk. (The Star Trek fan in me can hardly handle that name without saying something like "Dammit Jim I'm a doctor not an Anthropological Ornithologist) For whatever reason I was drawn to this opposing hearts pattern.
At it's basic shape it's a riff on an "S" curve pattern, and I started to play with drawing the form and it evolved in my sketchbook.
The original idea I settled on was to carve a double repetition of the pattern you see on the graph paper. Now I went and decided on my stock. My day job kept me from making a timely visit to my hardwood dealer, so I eventually made a visit to the closest home store. I was unimpressed with the oak in the stacks, severely unimpressed, eventually I settled on the species that passes for mahogany. I've used it before and it carves nicely as long as you have the a good section of board. I tried to pick as carefully as possible.
The width of board limited me somewhat so before I started laying out the carvings on the stock, I cut some paper to width and saw how much stretch of board I would get. I didn't get a picture but the result was very out of proportion length of board in relation to it's width. Much more length than I wanted. So it was back to the drawing board for me.
For my money, one of the best places to go for inspiration and just a general photo collection of 17th century carvings and furniture is Peter Follansbee's blog Joiner's Notes. After a little while cruising around his site I fell upon this picture.
A "S" curve flanking a central circle. Now there was a great idea. I decided to go with it and try it out on another larger piece of paper.
Now I was much happier with my proportions, I decided to go ahead and start carving. I cut my stock, planed it flat and smooth, and marked things out using a pair of dividers and a scratch awl.
This is eventually where things ended up. The hearts turned out differently, but things like this take on a life of their own once you starts.
From the front of the box I moved on to the side panels, Here is where I stumbled a bit. As I was looking through pictures on Peter's blog I came across this shot of a box he keeps under his bench to hold some odds and ends.
I fell in love with the carving. I had to do my own take on it.
I carved a pair of these panels to flank the front panel, but when I attached them using traditional rabbets and nails I decided to turn the carvings upside down from the presentation Peter used.
The nails I used are from Horton Brasses and are called Wrought Head Nails. they simulate blacksmith made nails and they really look great. I used the 1 1/2" variety (N-6).
I shiplapped a couple pine boards to make up the bottom of the box and moved on to carving the lid.
More on carving the lid next time.
Ratione et Passionis
Oldwolf
In the end I didn't completely pull this off, but I'm happy with the results at any rate.
I wanted to show the pieces and carvings I took inspiration from and share the journey.
It really began with seeing this joined chest in the pages of the book "American Furniture: Understanding Styles, Construction, and Quality" by John T Kirk. (The Star Trek fan in me can hardly handle that name without saying something like "Dammit Jim I'm a doctor not an Anthropological Ornithologist) For whatever reason I was drawn to this opposing hearts pattern.
At it's basic shape it's a riff on an "S" curve pattern, and I started to play with drawing the form and it evolved in my sketchbook.
The original idea I settled on was to carve a double repetition of the pattern you see on the graph paper. Now I went and decided on my stock. My day job kept me from making a timely visit to my hardwood dealer, so I eventually made a visit to the closest home store. I was unimpressed with the oak in the stacks, severely unimpressed, eventually I settled on the species that passes for mahogany. I've used it before and it carves nicely as long as you have the a good section of board. I tried to pick as carefully as possible.
The width of board limited me somewhat so before I started laying out the carvings on the stock, I cut some paper to width and saw how much stretch of board I would get. I didn't get a picture but the result was very out of proportion length of board in relation to it's width. Much more length than I wanted. So it was back to the drawing board for me.
For my money, one of the best places to go for inspiration and just a general photo collection of 17th century carvings and furniture is Peter Follansbee's blog Joiner's Notes. After a little while cruising around his site I fell upon this picture.
A "S" curve flanking a central circle. Now there was a great idea. I decided to go with it and try it out on another larger piece of paper.
Now I was much happier with my proportions, I decided to go ahead and start carving. I cut my stock, planed it flat and smooth, and marked things out using a pair of dividers and a scratch awl.
This is eventually where things ended up. The hearts turned out differently, but things like this take on a life of their own once you starts.
From the front of the box I moved on to the side panels, Here is where I stumbled a bit. As I was looking through pictures on Peter's blog I came across this shot of a box he keeps under his bench to hold some odds and ends.
I fell in love with the carving. I had to do my own take on it.
I carved a pair of these panels to flank the front panel, but when I attached them using traditional rabbets and nails I decided to turn the carvings upside down from the presentation Peter used.
The nails I used are from Horton Brasses and are called Wrought Head Nails. they simulate blacksmith made nails and they really look great. I used the 1 1/2" variety (N-6).
I shiplapped a couple pine boards to make up the bottom of the box and moved on to carving the lid.
More on carving the lid next time.
Ratione et Passionis
Oldwolf
stop raising the bar!
ReplyDeleteBeautiful work Oldwolf.
ReplyDelete